As part of the Democratic Caucus’ 2011-2012 policy agenda, Democratic leaders issued a platform for accountable government operations free from corporate and outside influences. The pledge of good governance was to be accompanied by fair fiscal policy aimed at protecting working families from tax increases and ensuring that out-of-state corporate interests pay their fair share. However, just last week, thanks to Pennsylvania’s film tax credit for movie producers, House Democrat Paul Costa celebrated a multimillion-dollar film project in his district. The Allegheny County lawmaker boasts many years of hard work in maintaining his corporate welfare program. He credits himself for the creation of thousands of jobs and nearly a billion dollars of economic activity since 2007. Interestingly, research and policy analysis debuts a much different tale, one of special interests putting taxpayers last.
According to Rep. Costa and reports by the Pennsylvania Legislative Budget and Finance Committee, Governor Rendell’s $60 million film tax credit appears to be an important investment for Pennsylvania. Advocates of the film tax credit argue that the tax incentive is responsible for thousands of jobs and increased economic activity in the Commonwealth. The problem with their claims is that the report does not show a direct relationship between tax credits and increased film production. The report acknowledges that the majority of film producers do not even apply for the film tax credit which indicates that the tax incentive is not nearly as strong as proponents believe.
In reality, the tax credits are ineffective in providing substantive increases in economic output. Policy analysis also indicates that tax credits fall short in paying for themselves. States with the most robust film tax credits report a meager twenty cents in tax revenue for every dollar given out in credit. In Pennsylvania, the $60 million dollars in tax credits are allegedly accompanied by $18 million additional dollars in tax revenues. This leaves two-thirds of the tax credit on the taxpayer’s tab. The film tax credit effectively mitigates the industry’s tax liabilities into an increased share of the state’s tax burden on both workers and businesses.
Democratic Rep. Costa’s beloved film tax credit is in direct opposition to his caucus agenda. The corporate welfare program enables Hollywood Studios to prosper at the expense of Pennsylvania’s hard-working families. The program provides neither substantial economic activity nor enough tax revenues to be self-sufficient. The film tax credit represents yet another special interest successfully lobbying for private privilege with the deception of fostering real economic growth. As a result, many states have decided to put taxpayers first and have abandoned their film tax credit programs.